Sunday, March 20, 2011

An Evening Soiree with Johannes Möller, Biplaw Singh and AHIMSA at Live in Concert performance in Kolkata presented by the SIDDHA Group


19th March, 2011, Kolkata: It was an evening soiree that music lovers in Kolkata will remember, not because it was on the eve of Holi, the festival of colours, but because it was a splendidly organized event, to recreate the culture following a great tradition of Indian classical music performances blended with the very best music from the West, a platter that’s hard to miss since colours express the zest for life and the beauty of the sound.

“She is the golden bridge, the wonderful fire,
…………………………………….
She is the Force, the inevitable Word,
The magnet of our difficult ascent,
The Sun from which we kindle all our suns,
The Light that leans from unrealized vasts,…” (Book III: The Book of the Divine Mother, Canto II: The Adoration of the Divine Mother, Savitri- Sri Aurobindo)

One might wonder the relationship between the above lines from Sri Aurobindo’s epic poem Savitri, and between the opening musical performance by Johannes Möller but, this is not very hard or difficult to gaze since Johannes, currently one of the finest of young talents in classical guitar worldwide, and also the 1st prize award winner of the prestigious GFA Concert Artist Competition in 2010, chose the moment to open the evening’s performance by playing his self-composed musical reverie ‘Song to the Mother’. It came at a critical time when the world was shocked by the triple action forces of Earthquake, Tsunami and a major Nuclear Radiation threat that had rocked Japan a week before, Johannes explained that the music goes to the Mother at three levels: the motherly love one finds at home; the mother earth and thirdly the cosmic mother and the divine force that operates since the beginning of creation. A rounded applause by a full learned festive crowd, so symptomatic of Kolkata, was quickly followed by another of his own compositions, this time ‘Ananda’ to reiterate that the creation came out of the self-delight of the Lord/the Creator, from bliss it came and poured into a pitcher of bliss. To crown the day, his last composition was ‘Rasa-Lila’. Partnered with Biplaw Singh, one of the finest classical guitarists from Asia and the best in India, this was a confluence of the east-west musical genre, the two guitars creating the smooth elastic sound that not only touched the hearts and evoked the senses, at the same time, it was a reveling aesthetic disposition of the musical sublime that permeates the levels of experiential love.

Biplaw Singh’s own solo performance was a treat to the ears, and also to the eyes, because the Spanish musical pieces he played from Isaac Albéniz and Francisco Tárrega brought before the audience the images of the sun, the sea, the Mediterranean, and, of course, the lost romanticism that enthralled its pioneers in the 18th and the 19th century. This was something profusely captivating, it brought the virtuosity of the guitarist and went further to recreate the multi-cultural high-print of Kolkata’s lifestyle- the minds of its people and their thought-processes that had served the city to be what it is- the city of joy, then, now, and in the times to come.


The opening performances by Johannes and Biplaw were followed by Ahimsa, a four-piece world music ensemble. With Munich- based guitarist Matthias Muller and South Indian musician S. Radhakrishna who played a majestic stereophonic double violin supported ably by percussionists Udai Mazumdar and R. Yogaraja – their music blended the Carnatic music with Western Jazz that prompted a trip into territories of complex beautiful improvisations, the musical texture, if we may call it, was precise and innovative sometimes reminiscent of Shakti with John McLaughlin. In an other way, its an Interstellar Overdrive, a travel into realms of spacious consciousness where music is fluid and ever recreated by the illumined mind of its players. Their whole endeavour was refreshing, another hallmark of great musical expressions, here, the fascinating merged into brilliant musical overtures which the mind can only seize through its contemplative ears and meditative hearing. Of course, it was sheer entertainment, and as Littlei, the organization that produced the show confirmed, that it was just the beginning and not the last of surprises that await kolkata’s ardent music lovers.

The programme sponsored by the Siddha Group was hosted by Calcutta Classical Guitar Society and partnered by The Calcutta School of Music and RED FM 93.5 took place o 19th March, 2011 at 27, Ballygunge Park, Kolkata.


- Joy Roy Choudhury, ArtVantage, UK-India, http://art-vantage.co.uk/
ArtVantage Projects: ART & MUSIC: Change Returns Success, Pink Floyd, Syd Barrett & Art: http://www.thepiperatthegatesofdawn.co.uk/
Charles Baudelaire & Debussy & Art:
http://www.charlesbaudelaire.co.uk/



Useful Information:
Programme presented by Siddha Group: http://www.siddhagroup.com/
Produced by Littlei : http://littlei.in/
Hosted by Calcutta Classical Guitar Society: http://www.ccgs.in/
Event Partners: The Calcutta School of Music: http://en.wikipedia.org/wiki/Calcutta_School_of_Music

Radio Partner: RED FM 93.5: http://radiotime.com/station/s_68909/Red_FM_935.aspx

Johannes Möller Website: http://www.johannesmoller.com/
Ahimsa Website: http://ahimsamusic.com/

ArtVantage Website:

Saturday, December 25, 2010

Artwork on Blind Willie Mctell, Samij Datta (25th Dec,2010)



With Inspiration from Bob Dylan's Song Blind Willie Mctell
"...And I know no one can sing the blues like Blind Willie Mctell"- Bob Dylan

Title: Blind Harmonist of the Unforeseen Future
Artwork: Acrylic on board paper/ Year: 2010
Artist: Samij Datta/

Wednesday, December 15, 2010

Folk Series:Hari-Purusha (The Golden Body of the Lord)/Artist: Samij Datta

"The yoga we practice is not for ourselves alone, but for the Divine; its aim is to work out the will of the Divine in the world, to effect a spiritual transformation and to bring down a divine nature and a divine life into the mental, vital and physical nature and life of humanity. Its object is not personal Mukti, although Mukti is a necessary condition of the yoga, but the liberation and transformation of the human being. It is not personal Ananda, but the bringing down of the divine Ananda -- Christ's kingdom of heaven, our Satyayuga -- upon the earth".- Sri Aurobindo





Title: Hari-Purusha (The Golden Body of the Lord)/Artist: Samij Datta
Year: 2010/Medium: Pen & Ink on black paper

Consciousness-Analogue


The Golden Fiddle and the Golden Feet
The Golden Lyre and the Golden Treat
Dancing in the eve-enchanted glory of the moon
With the minstrelsy of heaven’s Avalon
With bards and kings and their lonesome songs
Lovely to the eyes, clear was the sound
Of thousand bells that resembled the Song
Of Love that was coming from the Beyond.

- Joy Roy Choudhury, ArtVantage

Wednesday, December 8, 2010

The Art of the Dawn

The Art of the Dawn

When the earth-mind awakes its senses
And the dim rustle of the leaves are heard on the forest floor
Time taught itself the eternity of the hours
That is poured from a wonder-cup in the helms of fire
A mystic song of prayer is hymned by the oxlips and the grasses
Down the river banks of a swelling tide
And mountains that stood like rocks carved by the great eye of the splendor of the Lord
Are flashed by rays of the Supreme Dawn.

- Joy Roy Choudhury

Friday, December 3, 2010

Introspection on the Lines of Savitri: An Exhibition of Symbols of Matter’s Trance, Sleep and Waking




5. Title: Thy Prayer/ Artist: Samij Datta
With lines of inspiration from Savitri, The Book of the Divine Mother, Book III and The House of the Spirit and the New Creation, Canto III: “It sent its voiceless prayer to the Unknown;/It listened for the footsteps of its hopes/Returning through the void immensities,/ It waited for the fiat of the Word/That comes through the still self from the Supreme.”
Medium: Pen on Paper
Year: 2010/ Size: 10.7 x 7.8 inches

Introspection on the Lines of Savitri: An Exhibition of Symbols of Matter’s Trance, Sleep and Waking




4. Title: Surrender/ Artist: Samij Datta
With lines of inspiration from Savitri, The Book of Love, Book V and Satyavan and Savitri, Canto III: “The Spirit was saved, the body lost and mute/Lived still with Death and ancient Ignorance;/The Inconscient was its base, the Void its fate./But thou hast come and all will surely change:/I shall feel the World-Mother in thy golden limbs/And hear her wisdom in thy sacred voice./The child of the Void shall be reborn in God,/My Matter shall evade the Inconscient’s trance./My body like my spirit shall be free./It shall escape from Death and Ignorance.”
Medium: Pen on Paper
Year: 2010/ Size: 10.7 x 7.8 inches

Introspection on the Lines of Savitri: An Exhibition of Symbols of Matter’s Trance, Sleep and Waking



3. Title: Belief/ Artist: Samij Datta
With lines of inspiration from Savitri, The Book of Fate, Book VI and The Word of Fate, Canto I: “He sang of the glory and marvel still to be born,/Of Godhead throwing off at last its veil,/Of bodies made divine and life made bliss,/Immortal sweetness clasping immortal might,/Heart sensing heart, thought looking straight at thought,/And the delight when every barrier falls,/And the transfiguration and the ecstasy”.
Medium: Pen on Paper
Year: 2010/ Size: 10.7 x 7.8 inches